{"id":16066,"date":"2026-04-15T16:06:15","date_gmt":"2026-04-15T16:06:15","guid":{"rendered":"https:\/\/edcn.pt\/?p=16066"},"modified":"2026-04-17T11:47:32","modified_gmt":"2026-04-17T11:47:32","slug":"oc26","status":"publish","type":"post","link":"https:\/\/edcn.pt\/en\/oc26\/","title":{"rendered":"Choreographic Workshop 2026"},"content":{"rendered":"<div class=\"su-image-carousel  su-image-carousel-has-spacing su-image-carousel-has-lightbox su-image-carousel-has-outline su-image-carousel-adaptive su-image-carousel-slides-style-default su-image-carousel-controls-style-light su-image-carousel-align-center\" style=\"max-width:900px\" data-flickity-options='{\"groupCells\":true,\"cellSelector\":\".su-image-carousel-item\",\"adaptiveHeight\":true,\"cellAlign\":\"left\",\"prevNextButtons\":true,\"pageDots\":false,\"autoPlay\":4000,\"imagesLoaded\":true,\"contain\":false,\"selectedAttraction\":0.025,\"friction\":0.28}' id=\"su_image_carousel_6ac5982dc2244\"><div class=\"su-image-carousel-item\"><div class=\"su-image-carousel-item-content\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-caption=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1918\" height=\"513\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo.jpg\" class=\"\" alt=\"\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo.jpg 1918w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo-640x171.jpg 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo-1280x342.jpg 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo-160x43.jpg 160w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo-768x205.jpg 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-bnner-artigo-1536x411.jpg 1536w\" sizes=\"auto, (max-width: 1918px) 100vw, 1918px\" \/><\/a><\/div><\/div><\/div><script id=\"su_image_carousel_6ac5982dc2244_script\">if(window.SUImageCarousel){setTimeout(function() {window.SUImageCarousel.initGallery(document.getElementById(\"su_image_carousel_6ac5982dc2244\"))}, 0);}var su_image_carousel_6ac5982dc2244_script=document.getElementById(\"su_image_carousel_6ac5982dc2244_script\");if(su_image_carousel_6ac5982dc2244_script){su_image_carousel_6ac5982dc2244_script.parentNode.removeChild(su_image_carousel_6ac5982dc2244_script);}<\/script>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Tradu\u00e7\u00e3o\" data-ved=\"2ahUKEwiL06GUkfCTAxV90wIHHSgbKhYQ3ewLegQIDBAV\" aria-label=\"Texto traduzido: &quot;Within the context of the breadth of technical and artistic education, the Choreographic Workshops present themselves as a space for creative enjoyment, with the constant objective of artistically promoting students, both in terms of technical, interpretative and creative demands.&quot;\"><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">&#8220;Within the context of the breadth of technical and artistic education, the Choreographic Workshops present themselves as a space for creative enjoyment, with the constant objective of artistically promoting students, both in terms of technical, interpretative and creative demands.&#8221;<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Paulo Ferreira<\/span><\/p>\n<hr \/>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b>Teatro Ib\u00e9rico<\/b><span style=\"font-weight: 400;\"> \u2013 Lisbon<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Presentations:\u00a0<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">April <b>17th<\/b> 2026 &#8211; <b>21h <\/b>| april <b>18th<\/b>\u00a02026 &#8211; <b>21h <\/b>| april <b>19th <\/b>2026 &#8211;<b> 17h<\/b><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">Duration:<\/span> <span style=\"font-weight: 400;\">1h40 | <\/span><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Show suitable for ages 6 and up<\/span><\/p>\n<hr \/>\n<p style=\"padding-left: 40px;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">Original Choreographies EDCN Students<\/span><\/strong><\/p>\n<hr \/>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\">Tickets on sale at <span style=\"color: #781344;\"><a style=\"color: #781344;\" href=\"https:\/\/www.ticketline.pt\/pt\/evento\/oficina-coreografico-26-edcn-103285\" target=\"_blank\" rel=\"noopener\"><strong>www.ticketline.pt<\/strong><\/a><\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\">An initiative supported by:<\/span><\/p>\n<p style=\"padding-left: 80px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15821\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-640x48.png\" alt=\"\" width=\"440\" height=\"33\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-640x48.png 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-1280x97.png 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-160x12.png 160w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-768x58.png 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26.png 1508w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: arachne; font-size: 24pt; color: #781344;\">PROGRAM<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: arachne; font-size: 24pt; color: #781344;\">OC 26&#8242; <span style=\"color: #000000;\">&#8211; I Part<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>01<\/strong><\/span><br \/>\n<\/span><strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Outra vez arroz<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Rafaela Ferreira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Interpretation<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizzarri | Beatriz Gim\u00e9nez | Diogo Medeiros | Leonor Santos | Lucas Rodrigues | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">We wake up. We produce. We fulfill. We repeat.<br \/>\n<\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">We move before we think. We repeat before we choose.<br \/>\nThe days follow one another in a hypnotic rhythm, as fluid as it is unchallenged. Automatism slowly settles in with the smoothness of everything we never dared to refuse. And, little by little, we inhabit a comfortable place where we do things without questioning, where we live without truly being. But what if, in the midst of this routine trance, we decide to stop? What if we finally choose to live instead of just continuing? Once again, Arroz is a journey about the comfort of habit and the (audacious, but necessary) risk of interrupting it to truly find life.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Barbatuques | Christophe Zurfluh | The Alchemist | Travis Lake<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Rafaela Ferreira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201946\u2019\u2019<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">&#8212; &#8212;<br \/>\n<\/span><span style=\"font-size: 8pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">02<br \/>\n<\/span><\/strong><\/span><strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">De P\u00e9, Juntos<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Beatriz Sousa<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | In\u00eas Faria | Rita Pinto<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Many communities marked by a lack of resources and opportunities learn very early on that survival is a collective effort. When the system fails, it is the people who support each other. This piece stems from the reality of economically disadvantaged cultures and populations who find purpose in unity. It is not a romanticized view of poverty, but rather a recognition that in sharing, faith, cultural roots, and mutual support, a concrete form of happiness is born.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Christopher Tin<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201920\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>03<\/strong><\/span><br \/>\n<\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b><span style=\"color: #781344;\">Mem\u00f3rias<\/span> do que serei<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Leonor Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | R\u00faben Santos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Inspired by the figure of Janus, the two-faced Roman god who simultaneously looks to the past and the future, this work explores the duality of time, identity, and transformation. The duet marks the meeting point of a being that once was and that is yet to come. Each step towards the future carries the weight of the past, of a journey made not in a straight line, but in a succession of failures, typical of the human being who stumbles and loses breath, but who uses this impulse to create a new and unexpected movement of constant recovery and adaptation. The strength that results from the differences in time and the rhythmic accidents of life. An arrhythmia that breaks the idealized normality, allowing growth and individuality. The moment when the body ceases to be a machine and becomes an organism that reacts, fails, and reinvents itself to continue living.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Marek Hunhap | Modeselektor | Thom Yorke<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Leonor Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201933\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">04<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-family: arachne;\"><strong><span style=\"font-size: 24pt; color: #781344;\">L\u00e1 ao fundo \u00e0 esquerda<\/span><\/strong><\/span><b><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Diogo Medeiros<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | In\u00eas Faria | Leonor Santos | Lucas Rodrigues | Maria Eduarda Miranda | Rafaela Ferreira<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">It could be &#8220;just over here,&#8221; &#8220;the second one on the right,&#8221; or even &#8220;where the street ends.&#8221; That&#8217;s not the case, because &#8220;over there on the left&#8221; is where my path doesn&#8217;t end. And, faced with the infinite forked choices that &#8220;over there on the left&#8221; suggests, I have the opportunity to choose to go that way or any other branch. He told me, slowly and respectfully: &#8211; Dance is a process made of choices. I chose to listen to him. I realized that each and every movement is a decision that builds the dancer I am. It is in these decisive movements that dance ceases to be just dance &#8211; it becomes a metaphor for life itself. On stage, six personalities convinced of choosing the path that seems right to them, surrounded by indecision, stimuli, desires, and passions. Six ways of understanding right and wrong, decision and manipulation. And three conversational conversations, which lead to the individual and collective certainty of the individuality of choices, challenging the audience to choose which one to follow. Likewise, the audience chooses and becomes part of this creation of decisions and non-decisions. In the end, there is no right or wrong path. There is only the one that is taken. Every gesture is a decision. And every decision is who we choose to be. Just turn left at the far end.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Poema &#8220;C\u00e2ntico Negro&#8221; de Jos\u00e9 R\u00e9gio (interpretado por Jo\u00e3o Villaret) | John Adams | Max Richter<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Diogo Medeiros<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">5\u201900\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">05<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Maybe, just <span style=\"color: #781344;\">maybe.<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Coreography<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">In\u00eas Baptista<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Interpretation<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">In\u00eas Baptista<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">The piece reveals the vulnerability of not having immediate answers, but also the strength that comes from accepting the unknown. Perhaps it is precisely in uncertainty that the courage to continue is born.<br \/>\n\u201cMaybe, just maybe.\u201d delves into the delicate space between uncertainty and possibility. Through movement, the body becomes a place of questioning, where contradictory emotions coexist and transform.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Music\u00a0<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Marit Bergman<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><span style=\"font-weight: 400;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span><\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | In\u00eas Baptista<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Costumes<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Duration<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201900\u2019\u2019<br \/>\n<span style=\"font-size: 12pt;\">\u2013 \u2013<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\"><strong><span style=\"font-size: 8pt;\">06<br \/>\n<\/span><\/strong><\/span><strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">voarOstar<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Coreography<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\"><span style=\"font-size: 14pt;\">Afonso Minderico | Ana Lima<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Interpretation<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Ana Lopes | Aurelio Bizzarri | Beatriz Sousa | Catarina Teles | Diogo Medeiros | In\u00eas Faria | Lara Ribeiro | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">&#8216;voarOstar&#8217; <\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">stems from a profound anguish: the decision to make between two ways of life. On one side, a simple, carefree, and mundane existence; on the other, a path of constant change, risk, and overcoming, which demands ambition and courage to always want more. Throughout the work, this choice ceases to be a distant hypothesis and begins to approach, becoming inevitable. As the moment of decision approaches, uncertainty sets in. Thoughts fragment, overlap, clash, until the mind becomes a battlefield between the security of the known and the appeal of the unknown. This piece reflects our anxieties as young people who are forced to choose a life without ever having truly lived it. It speaks of the weight of expectations, the pressure of the future, and the restlessness of deciding who to be before knowing who one is. Between the simple and the complex, between staying and risking, the work exposes the vulnerability of growing up &#8211; and the inevitability of choosing.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Music\u00a0<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Afonso Minderico<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><span style=\"font-weight: 400;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span><\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Ricardo Campos | Afonso Minderico | Ana Lima<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Costumes<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Duration<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">5\u201900\u2019\u2019<br \/>\n<\/span>&#8212; &#8212;<br \/>\n<span style=\"font-size: 8pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">07<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>Entredentes<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Stefanos Patrinos<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Stefanos Patrinos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cEntredentes\u201d <\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">explores the conflict between intention and expression, focusing on a word that, although repressed due to its nature, yearns to be spoken aloud. Initially pronounced in a muffled and repressed way, almost hidden, this word gains symbolic awareness throughout the narrative, transforming into an entity that fights for its own affirmation. The solo unfolds as an internal journey of tension and resistance, where the word, deprived of control over its freedom, still tries to conquer space, clarity, and dignity. Between the impulse to silence and the desire for liberation, an invisible but profoundly human battle is built.<br \/>\n<\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">&#8220;The greatest truths are spoken through gritted teeth.&#8221;<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Music\u00a0<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">TSVI<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><span style=\"font-weight: 400;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span><\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Stefanos Patrinos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Costumes<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Duration<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201924\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">08<\/span><br \/>\n<\/span><\/strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>Reuni\u00e3o de Condom\u00ednio<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Beatriz Gim\u00e9nez<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Ana Lima | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizarri | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Diogo Medeiros | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Lucas Rodrigues | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Madalena Pereira | Rafaela Ferreira | Rita Pinto<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cReuni\u00e3o de Condom\u00ednio\u201d <\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">delves into the absurd routine of a community that gathers to decide what is right and wrong. Amidst broken voices, impatient breaths, and accusatory glances, the meeting transforms into a ping-pong of blame and hypocrisy: each accusation returns to the one who made it, each forgotten rule is pointed out to the neighbor. A choreography about how we judge in others what we do every day, and how, together, we laugh, criticize, and hide behind our own morality.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Franz Schubert<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Beatriz Gimenez<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201937\u2019\u2019<br \/>\n&#8212; &#8212;<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>09<\/strong><\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 24pt; color: #781344; font-family: arachne;\">FOMO<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Joana Valente Guerreiro<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Joana Valente Guerreiro<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">FOMO-Fear Of Missing Out<br \/>\n<\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">A body in constant alert, hesitating between impulse and paralysis. The fear of not arriving, of not being, of being left behind. An anxiety that throbs in isolation, trembling before the feeling of always being one step behind, running against something that never slows down.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Chorus | Ryoji Ikeda<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Joana Valente Guerreiro<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201915\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><strong>10<\/strong><br \/>\n<\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>inSOMNUS<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Coreography<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Rita Pinto<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Interpretation<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizzarri | Henrique Palma | Lucas Rodrigues | Manuel Salgado | Leonor Santos | Rafaela Ferreira | R\u00faben dos Santos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Sleep paralysis (paralysis + somnus) is a transient phenomenon characterized by the temporary inability to move the body when falling asleep or waking up, although the person remains conscious. It occurs due to the persistence of muscle atonia typical of REM sleep while the brain is already in a waking state, and may be accompanied by vivid hallucinations and a feeling of pressure in the chest. It can occur in isolation or associated with sleep disorders, such as narcolepsy, and is generally considered benign and related to factors such as sleep deprivation and stress.<\/span><\/p>\n<p><b style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0<\/span><\/b><\/span><br \/>\n<\/b><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">AGF | Graig Armstrong | Raffertie | Robert Ruth<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 10.6667px;\">Lights<\/span><\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Costumes<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Duration<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">4\u201907\u2019\u2019<br \/>\n<\/span><\/span><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400; font-size: 24pt; font-family: arachne;\"><span style=\"color: #781344;\">OC 26&#8242;<\/span> &#8211; II Part<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">11<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Frigus Internum<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Lucas Rodrigues<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Rafaela Ferreira | Tom\u00e1s Rodrigues<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Synopsis<\/span><\/span><br \/>\n<\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">An immobilized body survives in the cold, in suspension, and in denial. A voice, present as an inevitable force, breaks this state and imposes awakening. Currently, there is much talk about &#8220;embracing who we are,&#8221; but this aria reminds us that becoming conscious can hurt. The body resists change, breaks down, tries to return to the silence that protected it. Movement arises without relief and without promise: only as a consequence of having been awakened. There is no liberation, only the impossibility of going back.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">Henry Purcell |<\/span><span style=\"font-size: 8pt;\"><b> Interpreta\u00e7\u00e3o:<\/b><\/span><span style=\"font-weight: 400;\"> Alexandre Matta | Vicente Pinheiro (Viola) | Alice Pitta (Violoncelo) | Martim Pereira (Violino I) | Lu\u00edsa Sobral (Violino II) | Tom\u00e1s Rodrigues (Bar\u00edtono)<br \/>\n<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-weight: 400;\"><span style=\"font-size: 10.6667px;\">Lights<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lucas Rodrigues<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN | CPBC<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><strong><span style=\"font-size: 8pt;\">Duration<\/span><\/strong><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201950\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">12<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">\u201c \u2018tou S\u00f3 A Ver\u201d<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Tiago Pais<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | Beatriz Gim\u00e9nez | Henrique Palma<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">From the outset, the individual finds themselves in a state of constant surveillance, where &#8220;just seeing&#8221; means being controlled. In an environment of continuous exposure, every gesture is observed, interpreted, and judged, creating a silent but persistent pressure on whoever exists in that space. &#8220;\u2018I&#8217;m Just Seeing&#8221; reveals the responses to this control: the anger that emerges from the invasion, the pride that manifests as affirmation, the defense of a camouflaged narcissism, and the indifference that arises as a state of emotional autonomy and detachment. Between observation, confrontation, and resistance, different states are traversed, reaching a common point among them.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">lain Armstrong | Luciano Berio<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201945\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<strong><span style=\"font-size: 8pt;\">13<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Frize<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Coreography<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Manuel Salgado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Diogo Medeiros | Aurelio Bizzarri<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><span class=\"Y2IQFc\" lang=\"en\">Two bodies cross paths as if they already knew each other before they existed. There is a raw, almost inevitable attraction that brings them closer\u2014but also a silent inability to remain. Each gesture is laden with meaning, each absence weighs more than it should. It is not a lack of feeling; it is an excess.<br \/>\nThis relationship is not merely represented\u2014it is constructed before the eyes of the viewer, like a book being presented to us. They explore what they are to each other with the tools they have: aggressive gestures, dense silences, contradictory impulses. They try to understand the strength, the weight, and the depth of what they feel, even when it overwhelms them.<br \/>\nBetween approaches and ruptures, they experiment with ways of being: they say too much, or they say nothing. Because, so often, we don&#8217;t know how to deal with what we feel\u2014and we choose paths that distance us, even when everything in us wants to stay. Throughout the play, they transform themselves. They try, they fail, they learn, they change. There are no definitive answers, only the continuous movement of two bodies seeking \u2014 in each other and in themselves \u2014 a possible way to exist together without losing each other. Because sometimes it&#8217;s not love that fails. It&#8217;s that we still don&#8217;t know how to inhabit it.<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Agnes Obel<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Manuel Salgado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201930\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n14<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Em stock<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Ariana Fechet | R\u00faben Santos<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | Lucas Chambel | Lucas Rodrigues | Manuel Salgado | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><span class=\"Y2IQFc\" lang=\"en\">Masculinity appears as an ancient code, repeated automatically. Strength as obligation, silence as defense, dominance as proof of existence, vulnerability as failure.<br \/>\n<\/span><span class=\"Y2IQFc\" lang=\"en\">But when the promise of purpose is removed, everything begins to falter. Maybe the game was never about winning.<br \/>\nMaybe it&#8217;s just about what we do when we realize that nobody is keeping score.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aloboi | Jay Ragsdale | Yair Elazar Glotman | Woodkid<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Ariana Fechet | R\u00faben Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">4\u201900\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400;\">\u2013 \u2013<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">15<\/span><\/strong><br \/>\n<\/span><span style=\"font-size: 24pt; font-family: arachne; color: #781344;\"><b>Insomnia<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Pen\u00e9lope Ratibo Marinho<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Pen\u00e9lope Ratibo Marinho<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Insomnia explores the liminal state between physical exhaustion and the incessant activity of the mind. While the body seeks rest, thoughts intensify and prevent inner silence, prolonging a suspended time where rest is desired but never fully achieved.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Travi<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Pen\u00e9lope Ratibo Marinho<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">1\u201951\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">16<br \/>\n<\/span><\/strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>MNEMA, The Art of Remembering<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Lara Ribeiro | Leonor Sim\u00f5es | Nao Miura<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Lima | Ana Lopes | Afonso Minderico | Aurelio Bizarri | Beatriz Sousa | Catarina Teles | Diogo Medeiros | Madalena Pereira | Maria Eduarda Miranda | Leonor Santos | Momoko Fujisaki | In\u00eas Faria | Rita Pinto | Sebasti\u00e3o Quintela | Henrique Palma<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">This piece explores nostalgia as a sensory and emotional experience. Through smells, colors, tastes, and small memories of everyday life, it revisits significant moments from different phases of life. Some good and light, others difficult and demanding. It questions the idea that the past is lost or erased, showing that the versions of ourselves remain present within us. Nostalgia thus emerges not only as longing, but as an awareness of the journey taken and the multiple identities we carry over time. Taking this idea, each dancer represents a type of memory.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Travis Lake<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lara Ribeiro | Leonor Sim\u00f5es | Nao Miura<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">5\u201930\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<strong><span style=\"font-size: 8pt;\">17<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Chickens are a type of dinosaurs<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<br \/>\n<\/span><\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Henrique Palma<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Beatriz Gim\u00e9nez | Lucas Rodrigues<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">\u201cChickens are a type of dinosaurs\u201d delves into the instinctive genesis of childhood behavior, where discovery is not a passive act, but a mutual learning process. Starting from the assertion that chickens belong to an ancestral lineage, the work investigates the plasticity of belief and how truth is constructed and imposed through the other. From this state, pathologies inherent to growth are dissected: obsessive repetition as a learning tool, mimicry as a form of belonging, and the restlessness that pulsates in the face of novelty. <\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Clara Rockmore | Edvard Grieg<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201957\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">18<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 24pt; font-family: arachne; color: #781344;\">Kuroi Ikari<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Lucas Chambel<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Lucas Chambel<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Legend has it that a young man, with his sword, develops an addiction throughout his life: killing and feeling the thrill of watching his target die. This piece portrays a chapter of that legend, where he loses the sword he loves so much and expresses anger and anguish at not having what he desires in his hands.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Trevor Morris<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lucas Chambel<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">2\u201920\u2019\u2019<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><strong>19<\/strong><\/span><br \/>\n<\/span><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Vari\u00e1veis Dependentes<\/span><br \/>\n<\/b><b><span style=\"font-size: 8pt;\">Coreography <\/span><br \/>\n<\/b><span style=\"font-weight: 400; font-size: 14pt;\">In\u00eas Lima Faria<br \/>\n<\/span><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">Aur\u00e9lio Bizzarri | Henrique Palma | Leonor Santos | Lucas Rodrigues | Madalena Pereira<\/span><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><span class=\"Y2IQFc\" lang=\"en\">Dependent Variables explores the complexity of human relationships, starting from the idea that each of us is the result of a series of interactions and encounters that shape how we think and act.<br \/>\n<\/span><span class=\"Y2IQFc\" lang=\"en\">These interactions shape not only our identity, but also our perception and reaction to the world. Each contact with another person activates memories, emotions, and internal patterns, making us reflect on who we are and how we relate to others.<br \/>\nWe do not become who we are in isolation. We are relational beings: we constantly influence and are influenced. It is in this space of exchange that empathy is found, as the ability to feel and understand the other, recognizing that each presence contributes to what constitutes us.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0 <\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">Amadeus Mozart | Ben Frost &amp; Dan\u00edel Bjarnason<br \/>\n<\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><span style=\"font-weight: 400;\">Ricardo Campos | In\u00eas Faria<br \/>\n<\/span><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">EDCN<br \/>\n<\/span><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">04\u201900&#8221;<br \/>\n<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">\u2013 \u2013<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">20<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">Non stop, reveal<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">B\u00e1rbara Calado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">B\u00e1rbara Calado<\/span><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">The body breaks the norms, undergoing a process of inner liberation. Between restrained movements and abrupt impulses, an identity is revealed that no longer asks permission to exist. It&#8217;s not about provoking, but about asserting oneself, without shame, without filters, without limits. It&#8217;s the refusal to shrink, and the raw affirmation of presence. A body that expands, that takes risks and occupies its space without hesitation. It is raw energy. It is freedom in motion. A loose, intense, and unstoppable body.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">Music\u00a0<\/span><\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">The Prodigy<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | B\u00e1rbara Calado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">1\u201955\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">21<br \/>\n<\/span><\/strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>War <span style=\"color: #781344;\">Zone<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreography<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Madalena da Silva Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">Interpretation<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | Ana Lima | Ana Lopes | Ariana Fechet | Aur\u00e9lio Bizzarri | Beatriz Gim\u00e9nez | Beatriz Sousa | Catarina Teles | Diogo Medeiros | Maria Eduarda Miranda | Henrique Palma | In\u00eas Faria | Lara Ribeiro | Leonor Santos | Lucas Ribeiro | Manuel Salgado | Maria Leonor Sim\u00f5es | Momoko Fujisaki | Nao Miura | Rafaela Ferreira | Rita Pinto | R\u00faben Santos | Sebasti\u00e3o Quintela | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Synopsis<br \/>\n<\/span><\/b><\/span><b><\/b><span class=\"Y2IQFc\" lang=\"en\" style=\"font-family: Arial, Helvetica, sans-serif;\">Carried along by the relentless march of war, in the dry and repetitive rhythm of advancing bodies, under the weight of conflict, each step, each gesture, each glance carries fatigue, urgency, and tension. The violence and monotony of the battlefield reveal human fragility, physical and psychological exhaustion, and the impossibility of finding rest or escape. Between the dry and irregular clashes and the heavy dragging of exhausted bodies, emerges the intensity of the lived present, where body and mind are traversed by war, without relief.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Music\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Romain Rachline Borgeaud | RB Dance Company | Rihanna | Odesza<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><span style=\"font-size: 10.6667px;\"><b>Lights<\/b><\/span> <\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Madalena de Silva Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Costumes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN | Mariana Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Duration <\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">4\u201903\u2019\u2019<\/span><\/span><\/p>\n<hr \/>\n<div class=\"su-image-carousel  su-image-carousel-has-spacing su-image-carousel-has-lightbox su-image-carousel-has-outline su-image-carousel-adaptive su-image-carousel-slides-style-default su-image-carousel-controls-style-light su-image-carousel-align-center\" style=\"max-width:300px\" data-flickity-options='{\"groupCells\":true,\"cellSelector\":\".su-image-carousel-item\",\"adaptiveHeight\":true,\"cellAlign\":\"left\",\"prevNextButtons\":true,\"pageDots\":false,\"autoPlay\":4000,\"imagesLoaded\":true,\"contain\":false,\"selectedAttraction\":0.025,\"friction\":0.28}' id=\"su_image_carousel_6ac5982dc4246\"><div class=\"su-image-carousel-item\"><div class=\"su-image-carousel-item-content\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-caption=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1810\" height=\"2560\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-scaled.jpg\" class=\"\" alt=\"\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-scaled.jpg 1810w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-640x905.jpg 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-1280x1810.jpg 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-113x160.jpg 113w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-768x1086.jpg 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-1086x1536.jpg 1086w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-poster-ING-1448x2048.jpg 1448w\" sizes=\"auto, (max-width: 1810px) 100vw, 1810px\" \/><\/a><\/div><\/div><\/div><script id=\"su_image_carousel_6ac5982dc4246_script\">if(window.SUImageCarousel){setTimeout(function() {window.SUImageCarousel.initGallery(document.getElementById(\"su_image_carousel_6ac5982dc4246\"))}, 0);}var su_image_carousel_6ac5982dc4246_script=document.getElementById(\"su_image_carousel_6ac5982dc4246_script\");if(su_image_carousel_6ac5982dc4246_script){su_image_carousel_6ac5982dc4246_script.parentNode.removeChild(su_image_carousel_6ac5982dc4246_script);}<\/script>\n<hr \/>\n<p><span style=\"font-family: arachne; font-size: 14pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Technical Sheet <\/span><\/strong><b><span style=\"font-weight: 400;\"><strong><span style=\"color: #781344;\">OC 26&#8242;<\/span><\/strong><\/span><\/b><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>ARTISTIC COORDINATION &amp; COMPOSITION TEACHER<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Liliana Mendon\u00e7a<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>COURSE DIRECTION<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Catarina Moreira<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>EXECUTIVE PRODUCER<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>STAGE MANAGEMENT<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Students (6th Dance Year \/ 10th Academic Year) | Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>TECHNICAL DIRECTION OF THE SHOW<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | S\u00e9rgio Joaquim<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>MUSIC CURATION<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Diogo Vida<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>SOUND<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Alunos do 6\u00ba\/10\u00ba ano<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>COMUNICATION<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Jo\u00e3o Mota<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>TECHNICAL COORDINATOR<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Francisco Vinhas<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>PRODUCTION SUPPORT<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Alunos do 6\u00ba\/10\u00ba ano | Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>WARDROBE MANAGER<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Paula Rei<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>WARDROBE TEAM<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Paula Rei | Gracinda Lucas | Alunos do 6\u00ba\/10\u00ba ano<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>ADMINISTRATIVE COORDINATOR<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">S\u00f3nia Lucas<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>EDCN DIRECTION<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Paulo Ferreira | <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Pedro Mateus | <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Tatiana Guedes<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Within the context of the breadth of technical and artistic education, the Choreographic Workshops present themselves as a space for creative enjoyment, with the constant objective of artistically promoting students, both in terms of technical, interpretative and creative demands.&#8221; Paulo Ferreira Teatro Ib\u00e9rico \u2013 Lisbon Presentations:\u00a0 April 17th 2026 &#8211; 21h | april 18th\u00a02026 &#8211; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/edcn.pt\/en\/oc26\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Choreographic Workshop 2026&#8221;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":16083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_regular_price":[],"currency_symbol":[],"footnotes":""},"categories":[20,4],"tags":[],"class_list":["post-16066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edcn-en","category-uncategorized"],"acf":[],"post_slider_layout_featured_media_urls":{"thumbnail":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1-160x160.jpg",160,160,true],"post_slider_layout_landscape_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1-1000x800.jpg",1000,800,true],"post_slider_layout_portrait_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1.jpg",1000,1000,false],"post_slider_layout_square_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1.jpg",1000,1000,false],"post_slider_layout_landscape":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1-600x400.jpg",600,400,true],"post_slider_layout_portrait":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1-600x900.jpg",600,900,true],"post_slider_layout_square":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1-600x600.jpg",600,600,true],"full":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/OC-26-1x1-1.jpg",1000,1000,false]},"_links":{"self":[{"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/posts\/16066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/comments?post=16066"}],"version-history":[{"count":18,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/posts\/16066\/revisions"}],"predecessor-version":[{"id":16106,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/posts\/16066\/revisions\/16106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/media\/16083"}],"wp:attachment":[{"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/media?parent=16066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/categories?post=16066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edcn.pt\/en\/wp-json\/wp\/v2\/tags?post=16066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}