{"id":15809,"date":"2026-03-06T16:12:10","date_gmt":"2026-03-06T16:12:10","guid":{"rendered":"https:\/\/edcn.pt\/?p=15809"},"modified":"2026-04-18T17:38:37","modified_gmt":"2026-04-18T17:38:37","slug":"oc26","status":"publish","type":"post","link":"https:\/\/edcn.pt\/pt-pt\/oc26\/","title":{"rendered":"Oficinas Coreogr\u00e1ficas 26&#8242;"},"content":{"rendered":"<div class=\"su-image-carousel  su-image-carousel-has-spacing su-image-carousel-has-lightbox su-image-carousel-has-outline su-image-carousel-adaptive su-image-carousel-slides-style-default su-image-carousel-controls-style-light su-image-carousel-align-center\" style=\"max-width:900px\" data-flickity-options='{\"groupCells\":true,\"cellSelector\":\".su-image-carousel-item\",\"adaptiveHeight\":true,\"cellAlign\":\"left\",\"prevNextButtons\":true,\"pageDots\":false,\"autoPlay\":4000,\"imagesLoaded\":true,\"contain\":false,\"selectedAttraction\":0.025,\"friction\":0.28}' id=\"su_image_carousel_6ac596cd0b436\"><div class=\"su-image-carousel-item\"><div class=\"su-image-carousel-item-content\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-caption=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2516\" height=\"675\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo.jpg\" class=\"\" alt=\"\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo.jpg 2516w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-640x172.jpg 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-1280x343.jpg 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-160x43.jpg 160w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-768x206.jpg 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-1536x412.jpg 1536w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-barra-artigo-2048x549.jpg 2048w\" sizes=\"auto, (max-width: 2516px) 100vw, 2516px\" \/><\/a><\/div><\/div><\/div><script id=\"su_image_carousel_6ac596cd0b436_script\">if(window.SUImageCarousel){setTimeout(function() {window.SUImageCarousel.initGallery(document.getElementById(\"su_image_carousel_6ac596cd0b436\"))}, 0);}var su_image_carousel_6ac596cd0b436_script=document.getElementById(\"su_image_carousel_6ac596cd0b436_script\");if(su_image_carousel_6ac596cd0b436_script){su_image_carousel_6ac596cd0b436_script.parentNode.removeChild(su_image_carousel_6ac596cd0b436_script);}<\/script>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">&#8220;No contexto da amplitude do ensino t\u00e9cnico-art\u00edstico, as Oficinas Coreogr\u00e1ficas apresentam-se como um espa\u00e7o de frui\u00e7\u00e3o criativa, com o objetivo constante de promover artisticamente os alunos, quer no sentido da exig\u00eancia t\u00e9cnica, interpretativa como criativa.&#8221;<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Paulo Ferreira<\/span><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><div class=\"su-button-center\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/oc26-fOLHA-DE-SALA.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#78121e;border-color:#600f18;border-radius:5px\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color:#FFFFFF;padding:0px 16px;font-size:13px;line-height:26px;border-color:#a15a62;border-radius:5px;text-shadow:none\"> Descarregue Aqui OC 26&#8242; Folha de Sala PDF<\/span><\/a><\/div>\n<hr \/>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b>Teatro Ib\u00e9rico<\/b><span style=\"font-weight: 400;\"> \u2013 Lisboa\u00a0<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Apresenta\u00e7\u00f5es:\u00a0<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b>17 <\/b>de abril de 2026 &#8211; <b>21h | <\/b><b>18 <\/b>de abril de 2026 &#8211; <b>21h | <\/b>19 de abril de 2026 &#8211;<b> 17h<\/b><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">Dura\u00e7\u00e3o:<\/span> <span style=\"font-weight: 400;\">1h40 | Espet\u00e1culo para maiores de 6 anos<\/span><\/span><\/p>\n<hr \/>\n<p style=\"padding-left: 40px;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">Coreografias Originais de Alunos da EDCN<\/span><\/strong><\/p>\n<hr \/>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\">Bilhetes \u00e0 venda em <span style=\"color: #781344;\"><a style=\"color: #781344;\" href=\"https:\/\/www.ticketline.pt\/pt\/evento\/oficina-coreografico-26-edcn-103285\" target=\"_blank\" rel=\"noopener\"><strong>www.ticketline.pt<\/strong><\/a><\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\">Uma iniciativa com o apoio:<\/span><\/p>\n<p style=\"padding-left: 80px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15821\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-640x48.png\" alt=\"\" width=\"440\" height=\"33\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-640x48.png 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-1280x97.png 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-160x12.png 160w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26-768x58.png 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26.png 1508w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: arachne; font-size: 24pt; color: #781344;\">FOLHA DE SALA <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: arachne; font-size: 24pt; color: #781344;\">OC 26&#8242; <span style=\"color: #000000;\">&#8211; I Parte<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><div class=\"su-button-center\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/04\/oc26-fOLHA-DE-SALA.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#78121e;border-color:#600f18;border-radius:5px\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color:#FFFFFF;padding:0px 16px;font-size:13px;line-height:26px;border-color:#a15a62;border-radius:5px;text-shadow:none\"> Descarregue Aqui OC 26&#8242; Folha de Sala PDF<\/span><\/a><\/div>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>01<\/strong><\/span><br \/>\n<\/span><strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Outra vez arroz<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Rafaela Ferreira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Int\u00e9rpretes<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizzarri | Beatriz Gim\u00e9nez | Diogo Medeiros | Leonor Santos | Lucas Rodrigues | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Acordamos. Produzimos. Cumprimos. Repetimos.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Movemo-nos antes de pensar. Repetimos antes de escolher.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Os dias sucedem-se num ritmo hipn\u00f3tico, t\u00e3o fluido quanto incontestado. O automatismo instala-se devagar com a suavidade de tudo aquilo que nunca ous\u00e1mos recusar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">E, aos poucos, habita-se um lugar confort\u00e1vel onde se faz sem questionar, onde se vive sem verdadeiramente estar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Mas e se, no meio desse transe rotineiro, decidirmos parar? E se escolhermos, finalmente, viver em vez de apenas continuar?<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Outra vez arroz \u00e9 uma jornada sobre o conforto do h\u00e1bito e o risco (audacioso, mas necess\u00e1rio) de o interromper para encontrar verdadeiramente a vida.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Barbatuques | Christophe Zurfluh | The Alchemist | Travis Lake<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Rafaela Ferreira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201946\u2019\u2019<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">&#8212; &#8212;<br \/>\n<\/span><span style=\"font-size: 8pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">02<br \/>\n<\/span><\/strong><\/span><strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">De P\u00e9, Juntos<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Beatriz Sousa<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | In\u00eas Faria | Rita Pinto<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Muitas comunidades marcadas pela falta de recursos e oportunidades, aprendem muito cedo que sobreviver \u00e9 um esfor\u00e7o coletivo. Quando o sistema falha, s\u00e3o as pessoas que se amparam umas \u00e0s outras. Esta pe\u00e7a parte da realidade das culturas e popula\u00e7\u00f5es economicamente desfavorecidas que encontram prop\u00f3sito na uni\u00e3o. N\u00e3o \u00e9 uma vis\u00e3o romantizada da pobreza, mas sim o reconhecimento de que na partilha, na f\u00e9, nas ra\u00edzes culturais e no apoio m\u00fatuo, nasce uma forma concreta de felicidade.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Christopher Tin<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201920\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>03<\/strong><\/span><br \/>\n<\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b><span style=\"color: #781344;\">Mem\u00f3rias<\/span> do que serei<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Leonor Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | R\u00faben Santos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Inspirada na figura de Janus, o deus romano de duas faces, que olha simultaneamente para o passado e para o futuro, esta obra explora a dualidade do tempo, a identidade e a transforma\u00e7\u00e3o. O dueto marca o ponto de encontro de um ser que j\u00e1 foi e que ainda est\u00e1 por vir. Cada passo em dire\u00e7\u00e3o ao futuro carrega um peso do passado, de um percurso feito, n\u00e3o em linha reta, mas numa sucess\u00e3o de falhas, pr\u00f3prias do ser humano que trope\u00e7a e perde o f\u00f4lego, mas que usa esse impulso para criar um movimento novo e inesperado, de recupera\u00e7\u00e3o e adapta\u00e7\u00e3o constante. A for\u00e7a que resulta das diferen\u00e7as de tempo e dos acasos r\u00edtmicos da vida. Uma arritmia que quebra a normalidade idealizada, permitindo o crescimento e a individualidade. O momento em que o corpo deixa de ser uma m\u00e1quina e passa a ser um organismo que reage, falha e se reinventa para continuar a viver.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Marek Hunhap | Modeselektor | Thom Yorke<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Leonor Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201933\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">04<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-family: arachne;\"><strong><span style=\"font-size: 24pt; color: #781344;\">L\u00e1 ao fundo \u00e0 esquerda<\/span><\/strong><\/span><b><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Diogo Medeiros<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | In\u00eas Faria | Leonor Santos | Lucas Rodrigues | Maria Eduarda Miranda | Rafaela Ferreira<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Podia ser &#8220;j\u00e1 aqui ao fundo&#8221;, &#8220;na segunda \u00e0 direita&#8221; ou mesmo &#8220;onde a rua termina&#8221;. Tal n\u00e3o \u00e9, porque \u201cl\u00e1 ao fundo \u00e0 esquerda\u201d \u00e9 onde o meu caminho n\u00e3o culmina. E, perante as infinitas escolhas bifurcadas que &#8220;l\u00e1 ao fundo \u00e0 esquerda&#8221; me sugere, tenho a oportunidade de escolher ir por acol\u00e1 ou por qualquer outra ramifica\u00e7\u00e3o.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Disse-me, pausada e respeitosamente:<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">&#8211; A dan\u00e7a \u00e9 um processo feito de escolhas.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Escolhi ouvi-lo. Percebi que todo e qualquer movimento \u00e9 uma decis\u00e3o que constr\u00f3i o bailarino que sou. \u00c9 nestes movimentos decisivos que a dan\u00e7a deixa de ser apenas dan\u00e7a &#8211; torna-se a met\u00e1fora da pr\u00f3pria vida.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Em palco, seis personalidades convictas em escolher o caminho que lhes parece acertado, rodeados de indecis\u00f5es, est\u00edmulos, vontades e paix\u00f5es. Seis formas de entender o certo e o errado, a decis\u00e3o e a manipula\u00e7\u00e3o. E tr\u00eas conversas conversantes, que desaguam na certeza individual e coletiva da individualidade das escolhas, desafiando o p\u00fablico a escolher qual seguir. Assim tamb\u00e9m o p\u00fablico escolhe e passa a fazer parte desta cria\u00e7\u00e3o de decis\u00f5es e n\u00e3o decis\u00f5es. No fim, n\u00e3o h\u00e1 caminho certo ou errado. H\u00e1 apenas aquele que se percorre. Cada gesto \u00e9 uma decis\u00e3o. E cada decis\u00e3o quem escolhemos ser. Basta virar l\u00e1 ao fundo \u00e0 esquerda.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Poema &#8220;C\u00e2ntico Negro&#8221; de Jos\u00e9 R\u00e9gio (interpretado por Jo\u00e3o Villaret) | John Adams | Max Richter<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Diogo Medeiros<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">5\u201900\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">05<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Maybe, just <span style=\"color: #781344;\">maybe.<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Coreografia<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">In\u00eas Baptista<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Interpreta\u00e7\u00e3o<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">In\u00eas Baptista<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">A pe\u00e7a revela a vulnerabilidade de n\u00e3o ter respostas imediatas, mas tamb\u00e9m a for\u00e7a que nasce ao aceitar o desconhecido. Talvez seja precisamente na incerteza que nasce a coragem de continuar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cMaybe, just maybe.\u201d mergulha no espa\u00e7o delicado entre a incerteza e a possibilidade. Atrav\u00e9s do movimento, o corpo torna-se um lugar de questionamento, onde emo\u00e7\u00f5es contradit\u00f3rias coexistem e se transformam.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>M\u00fasica<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Marit Bergman<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Luzes<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | In\u00eas Baptista<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Figurinos<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Dura\u00e7\u00e3o<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201900\u2019\u2019<br \/>\n<span style=\"font-size: 12pt;\">\u2013 \u2013<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\"><strong><span style=\"font-size: 8pt;\">06<br \/>\n<\/span><\/strong><\/span><strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">voarOstar<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Coreografia<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\"><span style=\"font-size: 14pt;\">Afonso Minderico | Ana Lima<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Int\u00e9rpretes<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Ana Lopes | Aurelio Bizzarri | Beatriz Sousa | Catarina Teles | Diogo Medeiros | In\u00eas Faria | Lara Ribeiro | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">&#8216;voarOstar&#8217; nasce de uma ang\u00fastia profunda: a tomada de decis\u00e3o entre duas formas de vida. De um lado, uma exist\u00eancia simples, <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">despreocupada e mundana; do outro, um caminho de constante mudan\u00e7a, risco e supera\u00e7\u00e3o, que exige ambi\u00e7\u00e3o e coragem para querer sempre mais. Ao longo da obra, essa escolha deixa de ser uma hip\u00f3tese distante e come\u00e7a a aproximar-se, tornando-se inevit\u00e1vel. \u00c0 medida que o momento da decis\u00e3o se imp\u00f5e, instala-se a incerteza. Os pensamentos fragmentam-se, sobrep\u00f5em-se, entram em confronto, at\u00e9 a mente tornar-se campo de batalha entre a seguran\u00e7a do conhecido e o apelo do desconhecido.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Esta pe\u00e7a reflete as nossas ang\u00fastias enquanto jovens que s\u00e3o obrigados a escolher uma vida sem nunca a terem verdadeiramente vivido. Fala do peso das expectativas, da press\u00e3o do futuro e da inquieta\u00e7\u00e3o de decidir quem ser antes de saber quem se \u00e9. Entre o simples e o complexo, entre ficar e arriscar, a obra exp\u00f5e a vulnerabilidade de crescer \u2014 e a inevitabilidade de escolher.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>M\u00fasica<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Afonso Minderico<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Luzes<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Ricardo Campos | Afonso Minderico | Ana Lima<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Figurinos<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Dura\u00e7\u00e3o<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">5\u201900\u2019\u2019<br \/>\n<\/span>&#8212; &#8212;<br \/>\n<span style=\"font-size: 8pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\">07<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>Entredentes<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Stefanos Patrinos<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Stefanos Patrinos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cEntredentes\u201d explora o conflito entre a inten\u00e7\u00e3o e a express\u00e3o, centrando-se numa palavra que, embora reprimida por conta da sua natureza, anseia por ser dita em voz alta. Pronunciada inicialmente de forma abafada e reprimida, quase escondida, essa palavra ganha consci\u00eancia simb\u00f3lica ao longo da narrativa, transformando-se numa entidade que luta pela sua pr\u00f3pria afirma\u00e7\u00e3o. O solo desenrola-se como um percurso interno de tens\u00e3o e resist\u00eancia, onde a palavra, desprovida de controlo sobre a sua liberdade, tenta ainda assim conquistar espa\u00e7o, clareza e dignidade. Entre o impulso de silenciamento e o desejo de liberta\u00e7\u00e3o, constr\u00f3i-se uma batalha invis\u00edvel, mas profundamente humana.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cAs maiores verdades s\u00e3o ditas entredentes.\u201d<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>M\u00fasica<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">TSVI<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Luzes<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Stefanos Patrinos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Figurinos<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Dura\u00e7\u00e3o<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201924\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\">08<\/span><br \/>\n<\/span><\/strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>Reuni\u00e3o de Condom\u00ednio<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Beatriz Gim\u00e9nez<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<br \/>\n<\/span><\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Ana Lima | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizarri | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Diogo Medeiros | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Lucas Rodrigues | <\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\">Madalena Pereira | Rafaela Ferreira | Rita Pinto<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cReuni\u00e3o de Condom\u00ednio\u201d mergulha na rotina absurda de uma comunidade que se re\u00fane para decidir o que \u00e9 certo e errado. Entre cortes de voz, respira\u00e7\u00f5es impacientes e olhares acusadores, a reuni\u00e3o transforma-se num ping-pong de culpas e hipocrisia: cada acusa\u00e7\u00e3o volta para quem a lan\u00e7ou, cada regra esquecida \u00e9 apontada ao vizinho. Uma coreografia sobre como julgamos no outro aquilo que fazemos todos os dias, e, como juntos, rimos, criticamos e nos escondemos atr\u00e1s da pr\u00f3pria moral.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Franz Schubert<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Beatriz Gimenez<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201937\u2019\u2019<br \/>\n&#8212; &#8212;<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><strong>09<\/strong><\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 24pt; color: #781344; font-family: arachne;\">FOMO<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Joana Valente Guerreiro<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Joana Valente Guerreiro<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">FOMO-Fear Of Missing Out<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Um corpo em alerta constante que hesita entre o impulso e a paralisia. O medo de <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">n\u00e3o chegar, n\u00e3o ser e de ficar para tr\u00e1s. Uma ansiedade que pulsa no isolamento, <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">tremendo diante da sensa\u00e7\u00e3o de estar sempre um passo aqu\u00e9m, correndo contra <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">algo que nunca desacelera.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Chorus | Ryoji Ikeda<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Joana Valente Guerreiro<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201915\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><strong>10<\/strong><br \/>\n<\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>inSOMNUS<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Coreografia<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Rita Pinto<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Int\u00e9rpretes<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aur\u00e9lio Bizzarri | Henrique Palma | Lucas Rodrigues | Manuel Salgado | Leonor Santos | Rafaela Ferreira | R\u00faben dos Santos<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">A paralisia do sono (par\u00e1lusis + somnus) \u00e9 um fen\u00f3meno transit\u00f3rio caracterizado pela incapacidade tempor\u00e1ria de mover o corpo ao adormecer ou ao despertar, apesar de a pessoa se manter consciente. Ocorre devido \u00e0 persist\u00eancia da atonia muscular t\u00edpica do sono REM enquanto o c\u00e9rebro j\u00e1 se encontra em estado de vig\u00edlia, podendo ser acompanhada por alucina\u00e7\u00f5es v\u00edvidas e sensa\u00e7\u00e3o de press\u00e3o no peito. Pode surgir de forma isolada ou associada a perturba\u00e7\u00f5es do sono, como a narcolepsia, sendo geralmente considerada benigna e relacionada com fatores como priva\u00e7\u00e3o de sono e stress.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>M\u00fasica<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">AGF | Graig Armstrong | Raffertie | Robert Ruth<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Luzes<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Figurinos<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Dura\u00e7\u00e3o<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">4\u201907\u2019\u2019<br \/>\n<\/span><\/span><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400; font-size: 24pt; font-family: arachne;\"><span style=\"color: #781344;\">OC 26&#8242;<\/span> &#8211; II Parte<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">11<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Frigus Internum<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Lucas Rodrigues<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Rafaela Ferreira | Tom\u00e1s Rodrigues<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Sinopse<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Um corpo imobilizado sobrevive no frio, na suspens\u00e3o e na nega\u00e7\u00e3o. Uma voz, presente como for\u00e7a inevit\u00e1vel, rompe esse estado e imp\u00f5e o despertar. Atualmente, fala-se muito em \u201cabra\u00e7ar quem somos\u201d, mas esta \u00e1ria lembra-nos que: tornar-se consciente pode doer. O corpo resiste \u00e0 mudan\u00e7a, quebra-se, tenta regressar ao sil\u00eancio que o protegia. O movimento surge sem al\u00edvio e sem promessa: apenas como consequ\u00eancia de ter sido acordado. N\u00e3o h\u00e1 liberta\u00e7\u00e3o, h\u00e1 a impossibilidade de voltar atr\u00e1s.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">Henry Purcell |<\/span><span style=\"font-size: 8pt;\"><b> Interpreta\u00e7\u00e3o:<\/b><\/span><span style=\"font-weight: 400;\"> Alexandre Matta | Vicente Pinheiro (Viola) | Alice Pitta (Violoncelo) | Martim Pereira (Violino I) | Lu\u00edsa Sobral (Violino II) | Tom\u00e1s Rodrigues (Bar\u00edtono)<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Luzes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lucas Rodrigues<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN | CPBC<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Dura\u00e7\u00e3o<\/b><\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201950\u2019\u2019<br \/>\n\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">12<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">\u201c \u2018tou S\u00f3 A Ver\u201d<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Tiago Pais<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | Beatriz Gim\u00e9nez | Henrique Palma<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Desde o in\u00edcio, o indiv\u00edduo encontra-se em estado de vigil\u00e2ncia constante, onde \u201co s\u00f3 ver\u201d significa ser controlado. Num ambiente de exposi\u00e7\u00e3o cont\u00ednua, cada gesto \u00e9 observado, interpretado e julgado, criando uma press\u00e3o silenciosa, mas persistente sobre quem existe nesse espa\u00e7o.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201c\u2018tou S\u00f3 A Ver\u201d revela as respostas a esse controlo: a raiva que emerge da invas\u00e3o, o orgulho que se manifesta como afirma\u00e7\u00e3o, a defesa de um narcisismo camuflado e a indiferen\u00e7a que surge como um estado de autonomia emocional e distanciamento.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Entre observa\u00e7\u00e3o, confronto e resist\u00eancia, atravessam-se diferentes estados, alcan\u00e7ando um ponto comum entre eles.\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">lain Armstrong | Luciano Berio<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201945\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<strong><span style=\"font-size: 8pt;\">13<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Frize<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>Coreografia<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Manuel Salgado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Diogo Medeiros | Aurelio Bizzarri<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Dois corpos cruzam-se como se j\u00e1 se conhecessem antes de existirem. H\u00e1 uma atra\u00e7\u00e3o crua, quase inevit\u00e1vel, que os aproxima \u2014 mas tamb\u00e9m uma incapacidade silenciosa de permanecer. Cada gesto \u00e9 carregado de significado, cada aus\u00eancia pesa mais do que devia. N\u00e3o \u00e9 falta de sentimento; \u00e9 excesso.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Essa rela\u00e7\u00e3o n\u00e3o \u00e9 apenas representada \u2014 \u00e9 constru\u00edda diante dos olhos de quem v\u00ea, como um livro que nos \u00e9 apresentado . Eles exploram o que s\u00e3o um para o outro com as ferramentas que t\u00eam: gestos agressivos, sil\u00eancios densos, impulsos contradit\u00f3rios. Tentam compreender a for\u00e7a, o peso e a profundidade do que sentem, mesmo quando isso os ultrapassa.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Entre aproxima\u00e7\u00f5es e ruturas, v\u00e3o experimentando formas de estar: dizem demasiado, ou n\u00e3o dizem nada. Porque, tantas vezes, n\u00e3o sabemos lidar com aquilo que sentimos \u2014 e escolhemos caminhos que nos afastam, mesmo quando tudo em n\u00f3s quer ficar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ao longo da pe\u00e7a, eles transformam-se. Tentam, falham, aprendem, mudam. N\u00e3o h\u00e1 respostas definitivas, apenas o movimento cont\u00ednuo de dois corpos que procuram \u2014 no outro e em si mesmos \u2014 uma forma poss\u00edvel de existir juntos, sem se perderem.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Porque, \u00e0s vezes, n\u00e3o \u00e9 o amor que falha. Somos n\u00f3s que ainda n\u00e3o sabemos como habit\u00e1-lo.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Agnes Obel<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Manuel Salgado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">2\u201930\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<span style=\"font-size: 8pt;\">14<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Em stock<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Ariana Fechet | R\u00faben Santos<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Henrique Palma | Lucas Chambel | Lucas Rodrigues | Manuel Salgado | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">A masculinidade aparece como um c\u00f3digo antigo, repetido automaticamente. For\u00e7a como obriga\u00e7\u00e3o, sil\u00eancio como defesa, dom\u00ednio como prova de exist\u00eancia, vulnerabilidade como falha. Mas quando se remove a promessa de prop\u00f3sito, tudo come\u00e7a a vacilar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Talvez o jogo nunca tenha sido para ganhar.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Talvez seja apenas sobre o que fazemos quando percebemos que ningu\u00e9m est\u00e1 a contar os pontos.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Aloboi | Jay Ragsdale | Yair Elazar Glotman | Woodkid<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Ariana Fechet | R\u00faben Santos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">4\u201900\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400;\">\u2013 \u2013<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">15<\/span><\/strong><br \/>\n<\/span><span style=\"font-size: 24pt; font-family: arachne; color: #781344;\"><b>Insomnia<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Pen\u00e9lope Ratibo Marinho<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Pen\u00e9lope Ratibo Marinho<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Insomnia explora o estado liminar entre o cansa\u00e7o f\u00edsico e a atividade incessante da mente.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Enquanto o corpo procura repouso, os pensamentos intensificam-se e impedem o sil\u00eancio interior, prolongando um tempo suspenso onde o descanso \u00e9 desejado, mas nunca plenamente alcan\u00e7ado.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Travi<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Pen\u00e9lope Ratibo Marinho<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">1\u201951\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">16<br \/>\n<\/span><\/strong><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>MNEMA, The Art of Remembering<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Lara Ribeiro | Leonor Sim\u00f5es | Nao Miura<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Lima | Ana Lopes | Afonso Minderico | Aurelio Bizarri | Beatriz Sousa | Catarina Teles | Diogo Medeiros | Madalena Pereira | Maria Eduarda Miranda | Leonor Santos | Momoko Fujisaki | In\u00eas Faria | Rita Pinto | Sebasti\u00e3o Quintela | Henrique Palma<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Esta pe\u00e7a explora a nostalgia como experi\u00eancia sensorial e emocional. Atrav\u00e9s de cheiros, cores, sabores e pequenas mem\u00f3rias do quotidiano, revisita momentos marcantes de diferentes fases da vida. Alguns bons e leves, outros dif\u00edceis e exigentes.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Questiona a ideia de que o passado se perde ou se apaga, mostrando que as vers\u00f5es que fomos continuam presentes dentro de n\u00f3s. A nostalgia surge, assim, n\u00e3o apenas como saudade, mas como consci\u00eancia do percurso feito e das m\u00faltiplas identidades que carregamos ao longo do tempo.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Pegando nesta ideia, cada bailarino representa um tipo de mem\u00f3ria.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Travis Lake<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lara Ribeiro | Leonor Sim\u00f5es | Nao Miura<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">5\u201930\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<strong><span style=\"font-size: 8pt;\">17<br \/>\n<\/span><\/strong><\/span><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\"><b>Chickens are a type of dinosaurs<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Henrique Palma<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Beatriz Gim\u00e9nez | Lucas Rodrigues<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u201cchickens are a type of dinosaurs\u201d mergulha na g\u00e9nese instintiva do comportamento infantil, onde a descoberta n\u00e3o \u00e9 um ato passivo, mas uma aprendizagem m\u00fatua. Partindo da afirma\u00e7\u00e3o de que as galinhas pertencem a uma linhagem ancestral, o trabalho investiga a plasticidade da cren\u00e7a e a forma como a verdade \u00e9 constru\u00edda e imposta atrav\u00e9s do outro. Deste estado dissecam-se patologias inerentes ao crescimento: a repeti\u00e7\u00e3o obsessiva como ferramenta de aprendizagem, o mimetismo como forma de perten\u00e7a e a inquieta\u00e7\u00e3o que pulsa perante a novidade.<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Assim, o \u201cdescabido\u201d deixa de ser um erro l\u00f3gico para se tornar o alicerce de um mundo partilhado \u2014 um territ\u00f3rio onde a realidade \u00e9 apenas aquilo que dois corpos decidem aceitar como verdade.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Clara Rockmore | Edvard Grieg<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">3\u201957\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">18<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 24pt; font-family: arachne; color: #781344;\">Kuroi Ikari<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">Lucas Chambel<\/span><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Lucas Chambel<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Reza a lenda que um jovem, com a sua espada, desenvolve um v\u00edcio ao longo da sua hist\u00f3ria: matar e sentir a excita\u00e7\u00e3o de observar a morte do seu alvo. Esta pe\u00e7a retrata um cap\u00edtulo dessa lenda, onde ele perde a espada que tanto ama e expressa raiva e ang\u00fastia por n\u00e3o ter o que deseja nas m\u00e3os.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Trevor Morris<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Lucas Chambel<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">2\u201920\u2019\u2019<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\"><strong>19<\/strong><\/span><br \/>\n<\/span><b><span style=\"font-family: arachne; font-size: 24pt; color: #781344;\">Vari\u00e1veis Dependentes<\/span><br \/>\n<\/b><b><span style=\"font-size: 8pt;\">Coreografia\u00a0<\/span><br \/>\n<\/b><span style=\"font-weight: 400; font-size: 14pt;\">In\u00eas Lima Faria<br \/>\n<\/span><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">Aur\u00e9lio Bizzarri | Henrique Palma | Leonor Santos | Lucas Rodrigues | Madalena Pereira<\/span><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">Vari\u00e1veis Dependentes explora a complexidade das rela\u00e7\u00f5es humanas partindo da ideia de que cada um de n\u00f3s \u00e9 o resultado de uma s\u00e9rie de intera\u00e7\u00f5es e encontros que moldam a forma como pensamos e agimos.<br \/>\n<\/span><span style=\"font-weight: 400;\">Essas intera\u00e7\u00f5es moldam n\u00e3o s\u00f3 a nossa identidade, mas tamb\u00e9m a nossa percep\u00e7\u00e3o e rea\u00e7\u00e3o ao mundo. Cada contacto com o outro ativa mem\u00f3rias, emo\u00e7\u00f5es e padr\u00f5es internos, fazendo-nos refletir sobre quem somos e sobre como nos relacionamos.<br \/>\n<\/span><span style=\"font-weight: 400;\">N\u00e3o nos concretizamos sozinhos. Somos seres em rela\u00e7\u00e3o: influenciamos e somos influenciados constantemente. \u00c9 nesse espa\u00e7o de troca que se encontra a empatia, como a capacidade de sentir e compreender o outro, reconhecendo que cada presen\u00e7a contribui para aquilo que nos constitui.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">Amadeus Mozart | Ben Frost &amp; Dan\u00edel Bjarnason<br \/>\n<\/span><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><span style=\"font-weight: 400;\">Ricardo Campos | In\u00eas Faria<br \/>\n<\/span><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">EDCN<br \/>\n<\/span><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><span style=\"font-weight: 400;\">04\u201900&#8221;<br \/>\n<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">\u2013 \u2013<br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\"><strong><span style=\"font-size: 8pt;\">20<\/span><\/strong><br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\">Non stop, reveal<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">B\u00e1rbara Calado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Interpreta\u00e7\u00e3o<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">B\u00e1rbara Calado<\/span><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Corpo rompe as normas, atravessando um processo de liberta\u00e7\u00e3o interior. Entre movimentos contidos e impulsos abruptos, revela-se uma identidade que deixa de pedir permiss\u00e3o para existir. N\u00e3o se trata de provocar, mas de assumir, sem vergonha, sem filtros, sem limites. \u00c9 a recusa de se encolher, e a afirma\u00e7\u00e3o crua de presen\u00e7a. Um corpo que se expande, que se arrisca e ocupa o seu espa\u00e7o sem hesita\u00e7\u00e3o. \u00c9 energia em estado bruto. \u00c9 liberdade em movimento. Um corpo solto, intenso e impar\u00e1vel.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>M\u00fasica<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">The Prodigy<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | B\u00e1rbara Calado<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">1\u201955\u2019\u2019<br \/>\n<\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">\u2013 \u2013<br \/>\n<\/span><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\">21<br \/>\n<\/span><\/strong><span style=\"font-family: arachne; color: #781344; font-size: 24pt;\"><b>War <span style=\"color: #781344;\">Zone<\/span><br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Coreografia<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">Madalena da Silva Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Int\u00e9rpretes<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Afonso Minderico | Ana Lima | Ana Lopes | Ariana Fechet | Aur\u00e9lio Bizzarri | Beatriz Gim\u00e9nez | Beatriz Sousa | Catarina Teles | Diogo Medeiros | Maria Eduarda Miranda | Henrique Palma | In\u00eas Faria | Lara Ribeiro | Leonor Santos | Lucas Ribeiro | Manuel Salgado | Maria Leonor Sim\u00f5es | Momoko Fujisaki | Nao Miura | Rafaela Ferreira | Rita Pinto | R\u00faben Santos | Sebasti\u00e3o Quintela | Tiago Pais<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Sinopse\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Carregados pela marcha incessante da guerra, no ritmo seco e repetitivo dos corpos que avan\u00e7am, sob o peso do conflito, cada passo, cada gesto, cada olhar carrega fadiga, urg\u00eancia e tens\u00e3o. A viol\u00eancia e a monotonia do campo de batalha revelam a fragilidade humana, o desgaste f\u00edsico e psicol\u00f3gico, e a impossibilidade de encontrar descanso ou uma escapat\u00f3ria. Entre os embates secos e irregulares e o arrastar pesado dos corpos exaustos, emerge a intensidade do presente vivido, onde o corpo e a mente s\u00e3o atravessados pela guerra, sem al\u00edvio.<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">M\u00fasica\u00a0<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Romain Rachline Borgeaud | RB Dance Company | Rihanna | Odesza<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-size: 8pt;\"><b>Luzes<\/b><\/span><span style=\"font-weight: 400;\"><span style=\"font-size: 8pt;\">\u00a0<\/span><br \/>\n<\/span><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | Madalena de Silva Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Figurinos<\/span><br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">EDCN | Mariana Pereira<br \/>\n<\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><span style=\"font-size: 8pt;\">Dura\u00e7\u00e3o\u00a0<\/span>\\<br \/>\n<\/b><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"font-weight: 400;\">4\u201903\u2019\u2019<\/span><\/span><\/p>\n<hr \/>\n<div class=\"su-image-carousel  su-image-carousel-has-spacing su-image-carousel-has-lightbox su-image-carousel-has-outline su-image-carousel-adaptive su-image-carousel-slides-style-photo su-image-carousel-controls-style-light su-image-carousel-align-center\" style=\"max-width:300px\" data-flickity-options='{\"groupCells\":true,\"cellSelector\":\".su-image-carousel-item\",\"adaptiveHeight\":true,\"cellAlign\":\"left\",\"prevNextButtons\":true,\"pageDots\":false,\"autoPlay\":4000,\"imagesLoaded\":true,\"contain\":false,\"selectedAttraction\":0.025,\"friction\":0.28}' id=\"su_image_carousel_6ac596cd0d088\"><div class=\"su-image-carousel-item\"><div class=\"su-image-carousel-item-content\"><a href=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-caption=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1414\" height=\"2000\" src=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster.jpg\" class=\"\" alt=\"\" srcset=\"https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster.jpg 1414w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster-640x905.jpg 640w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster-1280x1810.jpg 1280w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster-113x160.jpg 113w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster-768x1086.jpg 768w, https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_Poster-1086x1536.jpg 1086w\" sizes=\"auto, (max-width: 1414px) 100vw, 1414px\" \/><\/a><\/div><\/div><\/div><script id=\"su_image_carousel_6ac596cd0d088_script\">if(window.SUImageCarousel){setTimeout(function() {window.SUImageCarousel.initGallery(document.getElementById(\"su_image_carousel_6ac596cd0d088\"))}, 0);}var su_image_carousel_6ac596cd0d088_script=document.getElementById(\"su_image_carousel_6ac596cd0d088_script\");if(su_image_carousel_6ac596cd0d088_script){su_image_carousel_6ac596cd0d088_script.parentNode.removeChild(su_image_carousel_6ac596cd0d088_script);}<\/script>\n<hr \/>\n<p><span style=\"font-family: arachne; font-size: 14pt;\"><strong><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 12pt;\">Ficha T\u00e9cnica <\/span><\/strong><b><span style=\"font-weight: 400;\"><strong><span style=\"color: #781344;\">OC 26&#8242;<\/span><\/strong><\/span><\/b><\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>COORDENA\u00c7\u00c3O ART\u00cdSTICA | PROFESSORA DE COMPOSI\u00c7\u00c3O<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Liliana Mendon\u00e7a<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>DIRE\u00c7\u00c3O CURSO<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Catarina Moreira<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>PRODU\u00c7\u00c3O EXECUTIVA<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>DIRE\u00c7\u00c3O DE CENA<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Alunos do 6\u00ba\/10\u00ba ano | Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>DIRE\u00c7\u00c3O T\u00c9CNICA DO ESPET\u00c1CULO<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ricardo Campos | S\u00e9rgio Joaquim<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>CURADORIA MUSICAL<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Diogo Vida<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>SOM<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Alunos do 6\u00ba\/10\u00ba ano<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>IMAGEM E COMUNICA\u00c7\u00c3O<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Jo\u00e3o Mota<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>COORDENADOR EQUIPA T\u00c9CNICA EDCN<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Francisco Vinhas<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>APOIO \u00c0 PRODU\u00c7\u00c3O<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Alunos do 6\u00ba\/10\u00ba ano | Tatiana Guedes<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>RESPONS\u00c1VEL DO GUARDA-ROUPA<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Paula Rei<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>EQUIPA DE GUARDA-ROUPA<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Ana Paula Rei | Gracinda Lucas | Alunos do 6\u00ba\/10\u00ba ano<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>COORDENA\u00c7\u00c3O ADMINISTRATIVA<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">S\u00f3nia Lucas<\/span><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 8pt;\"><b>DIRE\u00c7\u00c3O EDCN<br \/>\n<\/b><\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Paulo Ferreira | <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Pedro Mateus | <\/span><span style=\"font-weight: 400; font-family: Arial, Helvetica, sans-serif;\">Tatiana Guedes<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;No contexto da amplitude do ensino t\u00e9cnico-art\u00edstico, as Oficinas Coreogr\u00e1ficas apresentam-se como um espa\u00e7o de frui\u00e7\u00e3o criativa, com o objetivo constante de promover artisticamente os alunos, quer no sentido da exig\u00eancia t\u00e9cnica, interpretativa como criativa.&#8221; Paulo Ferreira Teatro Ib\u00e9rico \u2013 Lisboa\u00a0 Apresenta\u00e7\u00f5es:\u00a0 17 de abril de 2026 &#8211; 21h | 18 de abril de 2026 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/edcn.pt\/pt-pt\/oc26\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Oficinas Coreogr\u00e1ficas 26&#8242;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":15861,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_regular_price":[],"currency_symbol":[],"footnotes":""},"categories":[11,25],"tags":[],"class_list":["post-15809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edcn","category-espetaculos"],"acf":[],"post_slider_layout_featured_media_urls":{"thumbnail":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-160x160.jpg",160,160,true],"post_slider_layout_landscape_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-1200x800.jpg",1200,800,true],"post_slider_layout_portrait_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-1200x1300.jpg",1200,1300,true],"post_slider_layout_square_large":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-1200x1200.jpg",1200,1200,true],"post_slider_layout_landscape":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-600x400.jpg",600,400,true],"post_slider_layout_portrait":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-600x900.jpg",600,900,true],"post_slider_layout_square":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1-600x600.jpg",600,600,true],"full":["https:\/\/edcn.pt\/wp-content\/uploads\/2026\/03\/OC-26_DNews-1.jpg",1300,1300,false]},"_links":{"self":[{"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/posts\/15809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/comments?post=15809"}],"version-history":[{"count":35,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/posts\/15809\/revisions"}],"predecessor-version":[{"id":16109,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/posts\/15809\/revisions\/16109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/media\/15861"}],"wp:attachment":[{"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/media?parent=15809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/categories?post=15809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edcn.pt\/pt-pt\/wp-json\/wp\/v2\/tags?post=15809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}